This review that will be running in the next issue of “Blickpunkt Musical”, Germany’s magazine on international musical theatre.  

Ghost lights stand dull sentry on Broadway and theatres all over the United States but their collective glow converges in a blaze of m...

Sometimes perverse, always fascinating, Australian independent filmmaker Mark Dooley’s “Repeat Attenders” explores the personalities of obsessive musical theatergoers. Cutting between half dozen subjects, for a solidly composed, seemlessly engaging 100 minutes, Dooley...

9/11 resulted in Broadway going dark for two days, which was unheard of at the time. The coronavirus pandemic has shut theaters all across America, like the rest of the world, for months at least. What’s beyond that is anyone’s guess. Some musical hits like “Beetlejuic...

The score of JAGGED LITTLE PILL, defined by the cannon of Canadian-born songwriter and performer Alanis Morissette, confirms she is, as “Rolling Stone” dubbed her, “the queen of alt-rock angst”.  The book by Diablo Cody, who won an Oscar for her original screenplay of...

“Call me Ishmael” famously declares the narrator of legendary novel “Moby-Dick”.  Call me exhilarated and bored, mesmerized and distracted,  all at the same time at Dave Malloy’s musical adaptation of Herman Melville’s epic, “Moby Dick: A Musical Reckoning”,  in its w...

Matthew Lopez’s THE INHERITANCE, wondrously surmounts - at times, soars above – its sheer scale of two parts in seven hours.  Part love story, part literary homage (inspired by E. M. Forster’s “Howard’s End”), part gay rights polemic, and so much more, it’s mostly a s...

The dog-eat-dog theme gets an entertaining application to the restaurant business with some distinctively sprightly playwriting from Theresa Rebeck paired with equally robust direction by Moritz Von Stuelpnagel in “Seared”.  Best friends, chef Harry (Raul Esparza) and...

THE SOUND INSIDE, near perfect in its world premiere at Williamstown Theatre Festival in the summer of 2018, is even better on Broadway.  (I’ve posted my original review below).   I was skeptical that the play, which transacts so intimately, could maintain its intimacy...

The American musical these days seems to be full of cartoon characters, which isn’t always a good thing, but in “Scotland PA”, based on the 2001 indie film, cartoon is celebrated to joyous effect.  That’s not only good but astonishing given that the plot is a re-telli...

“David Byrne’s American Utopia” transcends staged concert.  It’s not only a wholly entertaining theatrical celebration of music and movement but also the defining expression of Byrne’s canon that ponders, through his song, the puzzlement of “what are we doing here”....